Bernard Fleetwood-Walker (1893-1965) est un peintre britannique et professeur de peinture.
Bernard Fleetwood-Walker (1893-1965) was an English artist and teacher of painting.
Bernard FLEETWOOD-WALKER
Bernard Fleetwood-Walker (1893-1965) est un peintre britannique et professeur de peinture.
Bernard Fleetwood-Walker (1893-1965) was an English artist and teacher of painting.
John KOCH The Bridge c. 1950
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John Koch (1909-1978) est un peintre américain.
John Koch (1909-1978) est un peintre américain.
John Koch (1909-1978) was an American painter, and an important figure in 20th century realist painting. His early work may be considered Impressionist. He is best known for his light-filled realist paintings of urban interiors, often featuring classical allusions, and set in his own Manhattan apartment.
Isabel CODRINGTON A Vagrant
Isabel Codrington (1874–1943) est une artiste britannique.
Isabel Codrington (1874–1943) was a British painter.
William Ladd TAYLOR Awaiting his Return
William Ladd Taylor (1854-1926) est un illustrateur américain.
William Ladd Taylor (1854-1926) was an American illustrator. He studied art in Boston and New York, and in Paris under Boulanger and Lefebvre in 1884-85. His drawings, many of which first appeared in magazines, are essentially narrative in type and show keen understanding of human nature, with careful, historical accuracy.
Henry Nelson O'NEIL Before Waterloo 1868
Henry Nelson O'Neil (1817-1880) est un peintre et écrivain anglais.
Henry Nelson O'Neil (1817-1880) was an historical genre painter and minor Victorian writer. He worked primarily with historical and literary subjects, but his best-known paintings dealt with the Indian Mutiny. Eastward, Ho!, dated August 1857 but exhibited the following year, depicts the British troops embarking for India. A second painting, Home Again (1859), shows the troops returning to England. He also had popular successes with romantic scenes portraying the deaths of Mozart and Raphael, depicted as though mentally transported to heaven by their own religious art. In The Last Moments of Mozart the dying composer listens to singers performing part of his Requiem. The Last Moments of Raphael shows the painter contemplating the unseen figure of Christ in his Transfiguration.
Henry Nelson O'NEIL Home Again 1858
Henry Nelson O'Neil (1817-1880) est un peintre et écrivain anglais.
Henry Nelson O'Neil (1817-1880) was an historical genre painter and minor Victorian writer. He worked primarily with historical and literary subjects, but his best-known paintings dealt with the Indian Mutiny. Eastward, Ho!, dated August 1857 but exhibited the following year, depicts the British troops embarking for India. A second painting, Home Again (1859), shows the troops returning to England. He also had popular successes with romantic scenes portraying the deaths of Mozart and Raphael, depicted as though mentally transported to heaven by their own religious art. In The Last Moments of Mozart the dying composer listens to singers performing part of his Requiem. The Last Moments of Raphael shows the painter contemplating the unseen figure of Christ in his Transfiguration.
Fidelia BRIDGES Thistle and Landscape
Fidelia Bridges (1834-1923) est une artiste américaine.
Fidelia Bridges (1834-1923) was one of the small number of successful female artists in the 19th and early 20th centuries. She was a painter and illustrator, capturing small aspects of nature: flowers, birds, and other plants in their natural settings. She first was an oil painter and later took up watercolor painting. She was known for her delicately detailed paintings. She was considered a watercolor expert and specialist. She was the only woman in the group of seven notable 19th-century artists in the American Watercolor Society. Her illustrations were published in books, magazines and were used for greeting cards.
Gustave Léonard DE JONGHE c.1865
Gustave Léonard de Jonghe ou Gustave de Jonghe (1829-1893) est un peintre belge.
Gustave Léonard de Jonghe or Gustave de Jonghe (1829-1893) was a Belgian painter known for his glamorous society portraits and genre scenes.
Henri Guillaume SCHLESINGER
Henri Guillaume Schlesinger (1814-1893) est un peintre allemand de portrait et de genre. Outre la peinture à l'huile, il l'employé à la peinture aquarelle et peinture miniatures sur ivoire.
Henri Guillaume Schlesinger (1814-1893) was a German painter.
REMBRANDT Minerva c.1630
Rembrandt van Rijn (en néerlandais), habituellement désigné sous son seul prénom de Rembrandt (1606/1607-1669) est généralement considéré comme l'un des plus grands peintres de l'histoire de la peinture, notamment de la peinture baroque, et l'un des plus importants peintres de l'École hollandaise du XVIIe siècle. Rembrandt a également réalisé des gravures et des dessins et est l'un des plus importants aquafortistes de l'histoire. Il a vécu pendant ce que les historiens appellent le siècle d'or néerlandais, durant lequel culture, science, commerce et influence politique des Pays-Bas ont atteint leur apogée.
Rembrandt Harmenszoon van Rijn (1606/1607-1669) was a Dutch draughtsman, painter, and printmaker. A prolific and versatile master across three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch Masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits, self-portraits, to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes as well as animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age when Dutch Golden Age painting, although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative, and gave rise to important new genres in painting.
Joshua REYNOLDS Three Ladies Adorning a Term of Hymen
Joshua Reynolds (1723-1792) est un peintre britannique spécialiste de l'auto-portrait et du portrait. Il fut le premier président de la Royal Academy.
Joshua Reynolds (1723-1792) was an influential eighteenth-century English painter, specialising in portraits. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769.
CUZCO SCHOOL Flagellation of Christ
L'École de Cuzco (escuela cusqueña) est un mouvement artistique catholique qui s'est développée dans le vice-royaume du Pérou au cours des XVIe et XVIIIe siècles, et notamment à Cuzco (ancienne capitale de l'Empire inca), mais également dans d'autres villes des Andes, en Bolivie et en Équateur.
The Cuzco School (Escuela Cuzqueña) was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cuzco only, but spread to other cities in the Andes, as well as to present day Ecuador and Bolivia.
Le christ à la colonne ou la flagellation du Christ - à rapprocher de l’Ecole de Cuzco fin XVIe - début XVIIe - Mouvement maniériste.
La flagellation du Christ, ou le Christ à la colonne est un épisode néo-testamentaire de la Passion de Jésus raconté dans les Évangiles qui a donné lieu à de nombreuses représentations artistiques : tableaux, fresques, sculptures, etc. depuis le début de l'ère chrétienne.
La flagellation a lieu avant la montée au Golgotha. La colonne contre laquelle le Christ fut flagellé est l'un des instruments de la Passion ou Arma Christi et plusieurs églises revendiquent de posséder un morceau de cette colonne, dont la basilique Sainte-Praxède à Rome.
Cet épisode est le sujet de la sixième station du chemin de Croix scripturaire préconisé par le pape Jean-Paul II pour les catholiques.
Très rares sont les représentations du Christ comme celle de notre tableau, à ce jour seules 3 ont été recensées en Europe.
L’iconographie du Christ en Croix portant un pagne long, entouré de quatre cierges et de grands bouquets de fleurs colorées correspond au style de l’école de Cuzco au XVIIe siècle. Il s’agirait d’une représentation syncrétique entre une iconographie chrétienne et des éléments de décor incas.
CUZCO SCHOOL Master of Calamarca - Ángel Letiel Dei (Arquebusier Angel) 17th century
L'École de Cuzco (escuela cusqueña) est un mouvement artistique catholique qui s'est développée dans le vice-royaume du Pérou au cours des XVIe et XVIIIe siècles, et notamment à Cuzco (ancienne capitale de l'Empire inca), mais également dans d'autres villes des Andes, en Bolivie et en Équateur.
The Cuzco School (Escuela Cuzqueña) was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cuzco only, but spread to other cities in the Andes, as well as to present day Ecuador and Bolivia.
Master of Calamarca (fl. first half of 18th century) was a Bolivian artist who created two series of angels painted on the walls of a catholic church in Calamarca, Bolivia in the Department of La Paz. His works were stylistically close to earlier master Leonardo Flores from La Paz (fl. last quarter of 17th century).
An arquebusier angel (ángel arcabucero) is an angel depicted with an arquebus (an early muzzle-loaded firearm) instead of the sword traditional for martial angels, dressed in clothing inspired by that of the Andean nobles and aristocrats. The style arose in the Viceroyalty of Peru in the second half of 17th century and was especially prevalent in the Cuzco School.
CUZCO SCHOOL
L'École de Cuzco (escuela cusqueña) est un mouvement artistique catholique qui s'est développée dans le vice-royaume du Pérou au cours des XVIe et XVIIIe siècles, et notamment à Cuzco (ancienne capitale de l'Empire inca), mais également dans d'autres villes des Andes, en Bolivie et en Équateur.
The Cuzco School (Escuela Cuzqueña) was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cuzco only, but spread to other cities in the Andes, as well as to present day Ecuador and Bolivia.
CUZCO SCHOOL
L'École de Cuzco (escuela cusqueña) est un mouvement artistique catholique qui s'est développée dans le vice-royaume du Pérou au cours des XVIe et XVIIIe siècles, et notamment à Cuzco (ancienne capitale de l'Empire inca), mais également dans d'autres villes des Andes, en Bolivie et en Équateur.
The Cuzco School (Escuela Cuzqueña) was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cuzco only, but spread to other cities in the Andes, as well as to present day Ecuador and Bolivia.
CUZCO SCHOOL Madonna and Child c.1800
L'École de Cuzco (escuela cusqueña) est un mouvement artistique catholique qui s'est développée dans le vice-royaume du Pérou au cours des XVIe et XVIIIe siècles, et notamment à Cuzco (ancienne capitale de l'Empire inca), mais également dans d'autres villes des Andes, en Bolivie et en Équateur.
The Cuzco School (Escuela Cuzqueña) was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cuzco only, but spread to other cities in the Andes, as well as to present day Ecuador and Bolivia.
CUZCO SCHOOL Virgin of Belen 1700-1720
L'École de Cuzco (escuela cusqueña) est un mouvement artistique catholique qui s'est développée dans le vice-royaume du Pérou au cours des XVIe et XVIIIe siècles, et notamment à Cuzco (ancienne capitale de l'Empire inca), mais également dans d'autres villes des Andes, en Bolivie et en Équateur.
The Cuzco School (Escuela Cuzqueña) was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cuzco only, but spread to other cities in the Andes, as well as to present day Ecuador and Bolivia.
CUZCO SCHOOL Virgin of Bethlehem
L'École de Cuzco (escuela cusqueña) est un mouvement artistique catholique qui s'est développée dans le vice-royaume du Pérou au cours des XVIe et XVIIIe siècles, et notamment à Cuzco (ancienne capitale de l'Empire inca), mais également dans d'autres villes des Andes, en Bolivie et en Équateur.
The Cuzco School (Escuela Cuzqueña) was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cuzco only, but spread to other cities in the Andes, as well as to present day Ecuador and Bolivia.
Harrison FISHER Afternoon Tea 1925
Harrison Fisher (1875/77- 1934) est un illustrateur américain.
Harrison Fisher (1875/77- 1934) was an American illustrator.
Pablo PICASSO Sadayakko 1901
Pablo Picasso (1881-1973) est un peintre, dessinateur et sculpteur espagnol ayant passé l'essentiel de sa vie en France. Artiste utilisant tous les supports pour son travail, il est considéré comme le fondateur du cubisme avec Georges Braque et un compagnon d'art du surréalisme. Il est l'un des plus importants artistes du XXe siècle, tant par ses apports techniques et formels que par ses prises de positions politiques. Il a produit près de 50 000 œuvres dont 1 885 tableaux, 1 228 sculptures, 2 880 céramiques, 7 089 dessins, 342 tapisseries, 150 carnets de croquis et 30 000 estampes (gravures, lithographies, etc.).
Pablo Picasso (1881-1973), was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the greatest and most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a portrayal of the bombing of Guernica by the German and Italian airforces at the behest of the Spanish nationalist government during the Spanish Civil War.
Gustav KLIMT Allegory of Love
Gustav Klimt (1862-1918) est un peintre symboliste autrichien, et l'un des membres les plus en vue du mouvement Art nouveau et de la Sécession de Vienne. Peintre de compositions à personnages, sujets allégoriques, figures, nus, portraits, paysages, dessinateur, décorateur, peintre de cartons de tapisseries, cartons de mosaïques, céramiste, lithographe.
Gustav Klimt (1862-1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art.
Nikolai ASTRUP Spring Mood by Old Cotter’s Farm
Nikolai Astrup (1880-1928) est un des peintres norvégiens les plus réputés du début du XXe siècle. Astrup faisait partie du mouvement néoromantique. Plusieurs de ses peintures sont considérées comme étant d'influences naïves et expressionnistes. Ses œuvres, caractérisées par des couleurs vives et claires, représentent les scènes et les paysages des environs de Jølster où il vivait. De son vivant, l'artiste vendait ses œuvres comme moyen de subsistance.
Nikolai Astrup (1880-1928) was a Norwegian painter.
Walter CRANE
Walter Crane (1845-1915) est un artiste majeur anglais. Il fut également théoricien, écrivain, et socialiste convaincu. C'est l'un des principaux acteurs du mouvement artistique des Arts & Crafts. D'abord connu comme illustrateur, puis fervent promoteur des arts décoratifs, il a exercé son art dans de nombreux domaines: l'illustration, la peinture, la céramique, le papier peint, la tapisserie, etc.
Walter Crane (1845-1915) was an English artist and book illustrator. He is considered to be the most influential, and among the most prolific, children’s book creator of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the latter 19th century.
Mary Lizzie MACOMBER Faith, Hope and Love c.1900
Mary Lizzie Macomber (1861-1916) est une artiste américaine.
Mary Lizzie Macomber (1861-1916) was an American artist who painted in the Pre-Raphaelite style. She exhibited at the World's Columbian Exposition in 1893, and her paintings are held in the Smithsonian and the Museum of Fine Arts, Boston.
Charles Cromwell INGHAM The Flower Girl 1846
Charles Cromwell Ingham (1796/97-1863) est un peintre irlandais.
Charles Cromwell Ingham (1796/97-1863) was an Irish portrait painter and later a founder of the New York National Academy of Design during the 19th century.
Edith CORBET A London Garden 1911
Edith Corbet (1846-1920) was a Victorian landscape painter, having close associations with the Macchiaioli group (also known as the Tuscans or Etruscans), who, in a break with tradition, painted outdoors in order to capture natural light effects and favoured a panoramic format for their paintings.
Friedrich Wilhelm SCHADOW Fanny Ebers 1826-27
Wilhelm von Schadow ou Friedrich Wilhelm Schadow (1789-1862) est un peintre allemand de l'ère romantique. Il est le deuxième fils de Johann Gottfried Schadow.
Friedrich Wilhelm Schadow (1789-1862) was a German Romantic painter.
Gerard DAVID Archangel Gabriel - The Virgin Annunciate c.1510
Né Gheeraedt, ou Geerart Janszoon, à Oudewater vers 1450, Gérard David semble avoir pris le prénom de son père David comme patronyme peu après son inscription à la guilde des imagiers et selliers de Bruges en 1484. Peintre, dessinateur et probablement miniaturiste classifié parmi les primitifs flamands, il est mort à Bruges le 13 août 1523.
Gerard David (c.1450-1523) was an Early Netherlandish painter and manuscript illuminator known for his brilliant use of color. Only a bare outline of his life survives, although some facts are known. He may have been the "Meester gheraet van brugghe" who became a master of the Antwerp guild in 1515. He was very successful in his lifetime and probably ran two workshops, in Antwerp and Bruges. His reputation diminished in the 17th century until he was rediscovered in the 19th century.
Maestro delle Storie del Pane - Husband and Wife of the Gozzadini Family c.1495
This portrait and its pendant represent a husband and wife of the Gozzadini family of Bologna; the family's coat of arms appears prominently in both paintings. The inscribed architectural frieze in the background, which runs across both panels, attests to the commemorative function of the portraits: Probably made to celebrate a betrothal or marriage, the portraits contain numerous allusions to love and matrimony, such as the spray of flowers, known as pinks, held by the male sitter, and the fruit (perhaps a quince) held by his wife. The pelican and phoenix at lower left of the male portrait refer respectively to charity and resurrection - Christian virtues here associated with the sacrament of marriage. In the lower right corner of the female portrait are two rabbits and a girl confronting a unicorn, the former connoting fecundity and the latter chastity.
Pieter BRUEGHEL THE ELDER Massacre of the Innocents 1565-67
Pieter Brueghel ou Bruegel dit l'Ancien (1525-1569) est un peintre et graveur brabançon. Avec Jan van Eyck, Jérôme Bosch et Pierre Paul Rubens, il est considéré comme l'une des quatre grandes figures de l'École flamande, et l'une des principales de l'École d'Anvers.
Pieter Bruegel (also Brueghel) the Elder (1525-1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker from Brabant, known for his landscapes and peasant scenes (so called genre painting); he was a pioneer in both types of subject.
Pieter BRUEGHEL THE YOUNGER The Tax-collector's Office c.1615
Pieter Brueghel le Jeune dit aussi Brueghel d'Enfer ou encore Pieter Brueghel (1564-1638) est un peintre brabançon de la Renaissance. Fils de Pieter Brueghel l'Ancien et frère de Jan Brueghel l'Ancien, il était surnommé « Brueghel d’Enfer » à cause d’un de ses thèmes favoris : les incendies.
Pieter Brueghel the Younger or Pieter Bruegel the Younger (1564-1638) was a Flemish painter, known for numerous copies after his father Pieter Bruegel the Elder's work as well as his original compositions. The large output of his studio, which produced for the local and export market, contributed to the international spread of his father's imagery.
Charles Frederick LOWCOCK Evensong 1895
Charles Frederick Lowcock (1878-1922) est un peintre britannique.
Charles Frederick Lowcock (1878-1922) was a British painter.
Leonardo DA VINCI (?) Isleworth Mona Lisa
The Isleworth Mona Lisa is a painting of the same subject as Leonardo da Vinci's Mona Lisa. The painting is claimed by some to be partly an original work of Leonardo dating from the early 16th century.
La Mona Lisa d’Isleworth ou Mona Lisa antérieure , est un tableau attribué à Léonard de Vinci, réalisé au XVe ou au xvie siècle, qui représente un buste de femme ayant une très forte ressemblance avec la célèbre Joconde exposée au musée du Louvre à Paris. Ce tableau est souvent présenté comme une Mona Lisa antérieure.
Philip Hermogenes CALDERON Summer Berries 1883
Philip Hermogenes Calderon (1833-1898) est un peintre britannique né en France.
Philip Hermogenes Calderon (1833-1898) was an English painter of French birth (mother) and Spanish (father) ancestry who initially worked in the Pre-Raphaelite style before moving towards historical genre. He was Keeper of the Royal Academy in London.
Christiano CRUZ Self-Portrait 1916
Cristiano Cruz (1892-1951) est un peintre portuguais.
Cristiano Cruz (1892-1951) was a portugese painter.
John Riley WILMER Piccarda 1919
John Riley Wilmer (1883-1941) was the son of a Falmouth chemist and studied at Falmouth School of Art and with Charles Napier Hemy. He was also advised by Henry Scott Tuke and specialised in historical, religious and theatrical subjects, which he exhibited at the Royal Academy. Wilmer seems to have lived his life based at Falmouth and is buried in Falmouth cemetery.
Marie SPARTALI STILLMAN Kelmscott Manor Feeding Doves in Kitchen Yard 1904
Marie Euphrosyne Spartali, plus tard Stillman (1844-1927), est une peintre britannique d'ascendance grecque appartenant au préraphaélisme. Elle est probablement l'une des plus importantes artistes femmes de ce courant. Pendant une carrière de soixante ans, elle a produit plus de 100 œuvres, contribuant régulièrement aux expositions au Royaume-Uni et aux États-Unis.
Marie Euphrosyne Spartali, later Stillman (1844-1927), was a British Pre-Raphaelite painter of Greek descent, arguably the greatest female artist of that movement. During a sixty-year career, she produced over one hundred works, contributing regularly to exhibitions in Great Britain and the United States.
Marie SPARTALI STILLMAN How the Virgin Came to Brother Conrad of Offida and Laid her Son in his Arms 1892
Marie Euphrosyne Spartali, plus tard Stillman (1844-1927), est une peintre britannique d'ascendance grecque appartenant au préraphaélisme. Elle est probablement l'une des plus importantes artistes femmes de ce courant. Pendant une carrière de soixante ans, elle a produit plus de 100 œuvres, contribuant régulièrement aux expositions au Royaume-Uni et aux États-Unis.
Marie Euphrosyne Spartali, later Stillman (1844-1927), was a British Pre-Raphaelite painter of Greek descent, arguably the greatest female artist of that movement. During a sixty-year career, she produced over one hundred works, contributing regularly to exhibitions in Great Britain and the United States.
Marie SPARTALI STILLMAN A Wreath of Roses 1880
Marie Euphrosyne Spartali, plus tard Stillman (1844-1927), est une peintre britannique d'ascendance grecque appartenant au préraphaélisme. Elle est probablement l'une des plus importantes artistes femmes de ce courant. Pendant une carrière de soixante ans, elle a produit plus de 100 œuvres, contribuant régulièrement aux expositions au Royaume-Uni et aux États-Unis.
Marie Euphrosyne Spartali, later Stillman (1844-1927), was a British Pre-Raphaelite painter of Greek descent, arguably the greatest female artist of that movement. During a sixty-year career, she produced over one hundred works, contributing regularly to exhibitions in Great Britain and the United States.
Jan PROVOOST Allegory of Christianity
Jean Provost, Jan Provost ou Jan Provoost (vers 1465-1529) était un peintre hainuyer.
Jan Provoost, or Jean Provost, or Jan Provost (1462/65-1529) was a Belgian painter born in Wallonië. He was one of the most famous Netherlandish painters of his generation.
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